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Management > INDUSTRIE DE TRANSFORMATION SECTEUR > TEXTILE SECTEUR > HABILLEMENT SECTEUR > HAUTE COUTURE SECTEUR
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What makes the Chinese Haute Couture market and its customers unique since the Covid-19 pandemic? / Raphaël CAZIER / 2022
Titre : What makes the Chinese Haute Couture market and its customers unique since the Covid-19 pandemic? Type de document : Mémoire Auteurs : Raphaël CAZIER, Auteur Année de publication : 2022 Importance : 23 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de la page. Langues : Anglais (eng) Mots-clés : Management
CHINE ; HAUTE COUTURE SECTEUR ; INDUSTRIE DU LUXE SECTEURRésumé : Since the Covid-19 pandemic started in the beginning of 2020, the business world has known a lot of variations, and markets evolved like they never did before. The fashion luxury sector in China has been strongly impacted, positively and negatively by this pandemic crisis. Chinese consumers were forced to stay in their country and couldn’t travel anymore. This gave an incremental opportunity for luxury brands in terms of shoppers, that were usually leaving the country to buy luxury personal goods. Moreover, young Chinese generations are consumers now more care-conscious and aspire to a new type of luxury consumption, and have new expectations from brands. Are luxury brands already implemented in China able to face this new demand and maybe modify their ways of working in order to attract Chinese consumers that represent one third of potential clients? In addition to that, Chinese luxury brands are emerging more and more and surfing on the wave of the Guachao trend and the desire of Chinese consumers to see “designed in China” rather than “made in China”. Are these brands able to overcome existing brands such as Louis Vuitton in China, that have history and a strong image? In order to answer these questions and test the hypothesis, 2 interviews were made with Chinese professionals from the Luxury Fashion Industry, working between Italy and China, having knowledge about these markets. Personal questions were also asked in order to get a customer opinion from them. Finally, a questionnaire with detailed questions was made to get data from potential Millenials and Gen Z Chinese luxury customers. The limitation of this data gathering is the number of people questioned. Programme : Global BBA Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=562228 Gender segmentation in fashion / Claire PIERREFEU / 2021
Titre : Gender segmentation in fashion : Man and women categories in the fashion industry; and more particularly on their website, are they still legitimate? Type de document : Mémoire Auteurs : Claire PIERREFEU, Auteur Année de publication : 2021 Importance : 29 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
CULTURE ORGANISATIONNELLE ; FEMME ; HABILLEMENT SECTEUR ; HOMME ; ENVIRONNEMENT SOCIALRésumé : Today the notion of gender is becoming more and more blurred between biological and social gender. The social gender is taking over with the arrival of a third gender: the non-binary. With this new category, we can see the opportunity of a new segmentation for some fields. Therefore I asked myself the question: man and woman categories in the fashion industry, and more particularly on their website, are they still legitimate? In order to study this hypothesis, I conducted a quantitative study to understand what gender is today and what are the purchasing behaviors related to clothing according to social gender.The results show that there is a confusion between biological gender and social gender. In a second time, it appears that the clothing is not necessarily a product to be gendered. I could notice that men, as well as women or non-binary people dressed in both categories. Therefore, it would be interesting to conceptualize the gender identity in order to be able to replace it in certain fields to a segmentation based on biological gender. Programme : MSc Digital Expertise for Marketing Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=538582 Business Plan. La Manche / Amin ATTARI / 2020
Titre : Business Plan. La Manche Type de document : Mémoire Auteurs : Amin ATTARI, Auteur ; Maroussia DE BROUCHOVEN DE BERGEYCK, Auteur Année de publication : 2020 Importance : 58 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
MODE ; START-UP ; CREATION D'ENTREPRISE ; HABILLEMENT SECTEUR ; ENTREPRENEURIATRésumé : Fashion is a way of connecting us back to where we come from, where we live. It’s also something that we can each potentially affect. So while fashion affects us all, we can all get involved in it and make changes to it on a personal level. Fashion is an essential element of humans in person. This is why the owners of La Manche are so passionate about this industry, and how the idea of the two sisters becoming entrepreneurs and creating La Manche came up. La Manche is a start-up brand which will sell fashionable clothing to women passionate about fashion and the latest trends.
The Business Plan has helped the two sisters build all building blocks around La Manche. From finding its suppliers, to think about its manifesto, its marketing, its packaging, its logo, its products, the business plan has been a real pillar in the thoughts of building the brand. Thanks to this, La Manche has been well thought of and it won’t be launched without having considered all the aspects on how successful the brand will be.Programme : MSc International Master in Luxury Management Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=533655 Quelles sont les caractéristiques fondamentales d’un designer de mode qui a du succès ? / Victoria de LOOZ-CORSWAREM / 2019
Titre : Quelles sont les caractéristiques fondamentales d’un designer de mode qui a du succès ? Type de document : Mémoire Auteurs : Victoria de LOOZ-CORSWAREM, Auteur Année de publication : 2019 Importance : 66 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Français (fre) Mots-clés : Management
HAUTE COUTURE SECTEUR ; INDUSTRIE DU LUXE SECTEUR ; MODE ; PERSONNALITE ; INNOVATIONRésumé : La mode est le reflet d’une époque, d’un pays et d’une culture. Le monde de la mode est un milieu compétitif et acharné, qui se renouvelle constamment afin de faire face à une demande qui évolue en fonction des modes du moment. Le désigner de Haute-Couture, est le créateur, le guide qui entraîne ces modes, le juge de ce qui est tendance ou ne l'est pas. Pourtant, beaucoup de personnes donnent leur vie afin de devenir designer, mais ils sont peu à triompher dans ce milieu.
Alors, les questions qui se posent sont comment les designers de Haute-Couture deviennent-il des icônes de la mode ? Il y a-t-il un point d'inflexion dans leurs parcours qui se répète ? Il y a-t-il un point en commun dans leurs vies qui ai déclenché cette renommée qui les caractérise ?Note de contenu : Bibliographie p. 64-66 Programme : Cesem Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=500017 A ROLE OF EMOTION IN CONSUMER BEHAVIOR / Victor ATUYER / 2019
Titre : A ROLE OF EMOTION IN CONSUMER BEHAVIOR Type de document : Mémoire Auteurs : Victor ATUYER, Auteur Année de publication : 2019 Importance : 26 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
CONSOMMATEUR ; COMPORTEMENT DU CONSOMMATEUR ; MARQUE ; HABILLEMENT SECTEUR ; RESPONSABILITE SOCIALE DE L'ENTREPRISE ; IMAGE DE MARQUERésumé : Purpose: This paper aims to understand the role of anger in consumer behavior, with the potential willingness to boycott a brand. Several factors need to be taken into account such as consumer’s dependence to a brand, time and new consumer trends (traceable and co-created goods). These factors can also be a smart tool from companies to avoid boycotts. Approach: In this paper, an empirical study is conducted on consumer’s reaction towards fast-fashion brands after the Rana Plaza collapse in 2013 in Bangladesh, where a building fell full of poor workers, leading to the death of more than 1,000 people. This lack of Corporate Social Responsibility (CSR) seriously damaged fast-fashion brand’s reputation. NGOs and consumers called for boycotts of famous brands such as H&M, Benetton, Zara. However, we will verify if this boycott worked and kept an influence in consumer’s attitude towards these brands six years after this negative event. Findings: Our study shows a significant cause-effect link between the role of anger and the triggering of boycott willingness. Originality: This paper is the first to study the Rana Plaza impact on consumer’s attitude towards fast-fashion brands, which led to one of the only boycotts applied in the 2010s in Western Europe. Note de contenu : PGE: Bibliogr.P. 24-26 Programme : PGE-Rouen Spécialisation : Marketing Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=497662 Building brand equity through customer satisfaction in the luxury clothing industry / Katerina TSIHLAS / 2018PermalinkEffectiveness of loyalty programs in the apparel industry / Jennifer JOHN-NEWTON / 2018PermalinkLa privatisation de la couture est-elle conciliable avec la démocratisation culturelle ? / Elsa KLERLEIN / 2018PermalinkParis Fashion / Valerie STEELE / BLOOMSBURY PUBLISHING PLC (2017)PermalinkChanel défilés / Adélia SABATINI / Paris : LA MARTINIÈRE (2016)PermalinkCode du travail 2016 / Christophe RADE / Paris : DALLOZ (2016)PermalinkLa jupe au masculin / Anabelle GUÉRIN / 2016PermalinkCharles James / New Haven, Conn. ; : YALE UNIVERSITY PRESS (2014)PermalinkFashion that changed the world / Jennifer CROLL / PRESTEL (2014)PermalinkGlobal fashion brands / INTELLECT BRISTOL (2014)Permalink
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