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How are NFTs and Metarverse impacting luxury fashion industry / Quy ANH PHUNG / 2022
Titre : How are NFTs and Metarverse impacting luxury fashion industry Type de document : Mémoire Auteurs : Quy ANH PHUNG, Auteur Année de publication : 2022 Importance : 21 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec cotre compte Office 365 via le bouton CONNEXION en haut de la page. Langues : Anglais (eng) Mots-clés : Management
CINEMA SECTEUR ; MODE ; TELEVISIONRésumé : The dissertation will turn around two main subjects. First, there is the NFTs and the concept of metaverse. Secondly, there is the luxury fashion industry. I will link the two subjects. Programme : Global BBA Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=562056 Is the recognition process for American series has evolved from the 90s to the present day? / Lisa CARTAIRADE / 2022
Titre : Is the recognition process for American series has evolved from the 90s to the present day? Type de document : Mémoire Auteurs : Lisa CARTAIRADE, Auteur Année de publication : 2022 Importance : 28 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via
le bouton CONNEXION en haut de page.Langues : Anglais (eng) Mots-clés : Management
TELEVISION ; TELEVISION SECTEURRésumé : The objective of this research question is to know if the process of recognition of American series has evolved between the 90s and today. We note with the new practices of series consumption and the arrival of streaming services that the series produced today may no longer have the same quality as those of the 90s. Afterwards, a study of the research already established on the key points of this subject, a qualitative methodology is proposed. She is interested in the criteria of the recognition process as well as how it works. To do so, two series (Friends (Marta Kauffman and David Crane, 1994-2004) and The Witcher (Lauren Schmidt Hissrich, 2019-)) will be studied in order to understand how they were recognized and to see if this changed into a decade. Following this case study, it appeared that it is in fact more judicious to speak of adaptation than of evolution: the criteria have not really changed, they just have a different weight in a context which, has evolved. Programme : MSc Cultural & Creative Industries Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=571599 How Video on Demand platforms are reshaping the audiovisual consumption? / Geoffrey DURAND / 2021
Titre : How Video on Demand platforms are reshaping the audiovisual consumption? Type de document : Mémoire Auteurs : Geoffrey DURAND, Auteur Année de publication : 2021 Importance : 27 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
AUDIOVISUEL ; COMPORTEMENT DU CONSOMMATEURRésumé : Since a few years now, the advent of connected devices, internet 2.0 and platforms have allowed Video-on-Demand services to take a leading role in our societies. These services have changed the audiovisual landscape and offer new ways of accessing and watching audiovisual content with a much more flexible and convenient experience. The explosion of these video-on-demand platforms has put an end to the golden age of television and is pushing users to adopt new ways of consuming audiovisual content. The shift to a more autonomous mode of consumption in the face of an abundance of audiovisual content raises the following question: How Video on Demand platforms are reshaping the audiovisual consumption? In order to complete the previous studies, a quantitative study has been conducted. The result is that watching content more often on Video on Demand platforms than on TV influences our emotional engagement in our programmes and reinforces the feeling of frustration when all the episodes of a programme are not available. Thus, platforms change the way we consume and increase our expectations regarding audiovisual content. These results have implications for companies that need to understand the new consumer expectations in order to continue to exist in this changing industry. Programme : PGE-Rouen Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=538293 LGBT+ Representation in She-Ra and the Princesses of Power / Laëtitia LE NAOUR / 2021
Titre : LGBT+ Representation in She-Ra and the Princesses of Power Type de document : Mémoire Auteurs : Laëtitia LE NAOUR, Auteur Année de publication : 2021 Importance : 28 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
PRODUCTION ; CULTURE ; TELEVISIONRésumé : Questions of representation onscreen and off screen are thus becoming really important and part of the strategic considerations of production companies, though it is still far from perfect. And even if feminist and ethnic representations have been taken more into consideration in the recent years, LGBT+ representation, especially in children’s animation, still seems forgotten or really left behind.
In this paper, I’m gonna study LGBT+ representation. I will focus on the gender and sexual minorities that are gathered under the LGBT+ acronym.Programme : MSc Cultural & Creative Industries Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=538563 That will never work / Marc RANDOLPH / HACHETTE (2021)
Titre : That will never work Type de document : Livre Auteurs : Marc RANDOLPH Editeur : HACHETTE Année de publication : 2021 Importance : 311 p. ISBN/ISSN/EAN : 978-1-913068-21-9 Prix : 16 EUR Langues : Anglais (eng) Mots-clés : Management
ENTREPRISE ; TELEVISION ; AUDIOVISUEL
Entreprise
NETFLIXIndex. décimale : 112.38 ENTREPRISE ETRANGERE Résumé : Once upon a time, brick-and-mortar video stores were king. Late fees were ubiquitous, video-streaming unheard of, and widespread DVD adoption seemed about as imminent as flying cars. These were the widely accepted laws of the land in 1997 when Marc Randolph had an idea.
It was a simple thought - leveraging the internet to rent movies - and was just one of many more proposals, like personalised baseball bats and a shampoo delivery service, that Randolph would pitch to his business partner, Reed Hastings, on their commute to work each morning.
But Hastings was intrigued, and the pair - with Hastings as the primary investor and Randolph as the CEO - founded a company.
Now with over 150 million subscribers, Netflix's triumph feels inevitable but the twenty-first century's most disruptive start-up began with few believers and calamity at every turn. From having to pitch his own mother on being an early investor, to the motel conference room that served as a first office, to server crashes on launch day, to the now-infamous meeting when they pitched Blockbuster to acquire them, Marc Randolph's transformational journey exemplifies how anyone with grit, gut instincts and determination can change the world - even with an idea that many think will never work.
What emerges, however, isn't just the inside story of one of the world's most iconic companies. Full of counter-intuitive concepts and written in binge-worthy prose, it answers some of our most fundamental questions about taking that leap of faith in business or in life: How do you begin? How do you weather disappointment and failure? How do you deal with success? What even is success?Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=591365 Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité J5187 112.38 RAN Livre Library Campus de Rouen Salle de lecture Sorti jusqu'au 02/05/2025 The reluctance to pay to watch a content (film or tv show) / Nathan LE GALL / 2020PermalinkL'information télévisée à l'épreuve du numérique. Faut-il sauver France Télévisions ? / Robin LE PRETRE / 2018PermalinkMedias / Amaury DE ROCHEGONDE / FIRST (2017)PermalinkPermalinkMédias et sociétés / Francis BALLE / LGDJ (2016)PermalinkMédiaSig 2015 / LA DOCUMENTATION FRANÇAISE (2015)PermalinkIntroduction à l'économie des médias / Marc BASSONI / Paris : ARMAND COLIN (2014)PermalinkLes industries culturelles et créatives / Alain BUSSON / Paris : VUIBERT (2013)PermalinkPratique du droit de la presse / Christophe BIGOT / Paris : VICTOIRES ÉD. (2013)PermalinkDevenir un concepteur-rédacteur en publicité efficace / Didier LAVANANT / VUIBERT (2012)Permalink
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