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The figure of the final girl and the gender stereotypes in slasher movies / Emma BRUNEAU / 2023
Titre : The figure of the final girl and the gender stereotypes in slasher movies Type de document : Mémoire Auteurs : Emma BRUNEAU, Auteur Année de publication : 2023 Importance : 33 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Français (fre) Mots-clés : Management
CINEMA SECTEUR ; FEMME ; INDUSTRIE CULTURELLE SECTEURRésumé : Studying the figure of the final girl and the gender stereotypes in slasher movies is interestingfor several reasons. First, with a long history dating back to the 1960s, this genre reflects societal attitudes toward gender and sexuality. Horror cinema is well-known to use stereotypes to characterize its characters. Concerning the slasher, it often depicts women as passive, sexually objectified and punished for their immoral behavior. This reinforces harmfulgender stereotypes that contribute to the exclusion and oppression of women in society. Programme : MSc Cultural & Creative Industries Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=581676 The reinvention of post-Covid film marketing in France / Ilona ZENI / 2023
Titre : The reinvention of post-Covid film marketing in France Type de document : Mémoire Auteurs : Ilona ZENI, Auteur Année de publication : 2023 Importance : 22p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Français (fre) Langues originales : Anglais (eng) Mots-clés : Management
MARKETING ACHAT ; CINEMA SECTEUR
Entreprise
TRIANGLE FILM CORPORATIONRésumé : To understand the factors driving the completion of the study, the inspiration, interest, and significance of the research question must be described. Having grown up in a cinematographic environment, I am actively interested in the evolution of the media world linked to the economic and social upheavals of our western societies. That's why I frequently conduct competitive intelligence activities on a national and international level to deepen my knowledge of current trends. As a film buff, I see the possibility of working in the cultural field as an exciting, invigorating and exhilarating ecosystem. Indeed, over the years, I have been able to build up a cinephilia that has allowed me to apprehend and appreciate a variety of cinematographic genres.With the support of my internship in production at 3B productions (Muriel Merlin and Rachid Bouchareb) in 2022, I was able to deepen my cinematographic knowledge and my desire to work in the cultural field intensified. The prospect of working in the audiovisual industry motivates me a lot.I also worked as a production assistant on the film "Le flic de Belleville" by Rachid Bouchareb; I was in charge of welcoming the extras and their administrative and technical follow-up on the set. These experiences gave me a professional maturity.Going to theaters has always been a passion. However, I notice that theaters are sometimes more and more empty.Indeed, since the pandemic, cinema and television are experiencing a remediation with the rise of video on-demand and streaming platforms, so it becomes relevant to open up the fields of possibilities by finding solutions to bring back the spectators. Renewing this highly fragile post-covid ecosystem and allowing it to survive is one of the current imperatives. Moreover, supporting a free, independent and daring cinema is particularly important to me. The expression of an unprecedented artistic effervescence linked to financial stakes galvanizes me, I see here the paradox between freedom and standards. It is therefore natural that I wanted to work on cinema and marketing for my dissertation. It's also important to remember that marketing is extremely important to a movie's or production's success. The audience's attention must be captured in order to draw crowds to a movie theater, which requires the use of advertising campaigns, social media, and promotional events. The study I'm conducting in this regard tries to comprehend how marketing strategies might be employed successfully to persuade individuals to go to cinemas once more and support the film industry.It's also crucial to take into account how consumer behavior has changed in response to new technologies. The way we watch movies and TV shows has drastically changed thanks to streaming services. As a result, the film industry must change to survive and prosper in a setting that is always evolving.The question of diversity and representation in the film business is also one that is becoming more and significant. As a society, we must make sure that all people's voices and stories are heard and depicted on television. This means that when deciding which films to support and which performers to cast, film companies must keep diversity and inclusion in mind.In conclusion, it is essential to comprehend the reasons that motivated the study, such as the motivation, significance, and interest of the research topic, in order to better comprehend the problems with film and marketing in the present film business. Programme : MSc International Marketing & Brand Management Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=581952 What future for cinema in theatres in France ? / Anna DOUMEIZEL / 2023
Titre : What future for cinema in theatres in France ? Type de document : Mémoire Auteurs : Anna DOUMEIZEL, Auteur Année de publication : 2023 Importance : 36 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
COMPORTEMENT DU CONSOMMATEUR ; CINEMA SECTEUR ; COMMERCE ELECTRONIQUERésumé : In France, the cinema occupies an essential place since it is part of its cultural identity and contributes to its international influence. However, since the global pandemic, cinemas in France had to close on numerous occasions, resulting in a sharp drop in attendance and revenues. With the emergence of new technologies, the evolution of film distribution and the economic and social crisis, questions about the durability and the future of cinemas in France have arisen and are totally legitimate. Since the beginning of the global pandemic, the results of French cinemas in terms of revenues and attendance have been in total decline. French film production is also in difficulty, and this has an impact on cinema attendance. However, other actors are managing to do well despite the critical context. Thus, what are the real causes of the decline of cinemas ? Programme : MSc Marketing French Excellence Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=581933 Bollywood as a Soft Power Tool in France: Challenges and Opportunities for a Booming Indian Industry / Benjamin FOUQUES DUPARC / 2022
Titre : Bollywood as a Soft Power Tool in France: Challenges and Opportunities for a Booming Indian Industry Type de document : Mémoire Auteurs : Benjamin FOUQUES DUPARC, Auteur Année de publication : 2022 Importance : 34 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
INDE ; FRANCE ; CINEMA SECTEURRésumé : We will first of all proceed to a literature review that will have several objectives. First, it will allow us to define the specific terms of this subject in order to foster a better understanding of the stakes, the ins and outs. Subsequently, this literature review will allow us to contextualize the topic, both historically and geographically. Focusing on specific issues related to the importance of soft power in a globalized and interconnected world, the interest of this contextualization is to provide the reader with a more global overview of the current situation of the world, its history, but also its future. Finally, we will review the results of a qualitative research conducted with 14 participants, aimed at understanding the real impact of Indian soft power in France through Bollywood, its limits, its challenges and its opportunities for potential expansion. Therefore, data were collected from 14 French people who agreed to participate in a semi-structured interview, allowing us to have an overview of the current perception of the French of Bollywood and India. Several themes were analyzed during this research. Whether it is the interest that the French have for foreign cinema, their perception of Bollywood and Indian culture or the future of Bollywood in France, this research aims to highlight the limits of the cultural impact of Bollywood, as a soft power tool, in France. In addition, it also aims to identify the opportunities that Bollywood may have in the coming years. Programme : MSc Marketing French Excellence Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=564562 Can movie production, supported by big data, reflect a globalized society? A qualitative analysis of Netflix production process / Charles SIMON / 2022
Titre : Can movie production, supported by big data, reflect a globalized society? A qualitative analysis of Netflix production process Type de document : Mémoire Auteurs : Charles SIMON, Auteur Année de publication : 2022 Importance : 29 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de la page. Langues : Anglais (eng) Mots-clés : Management
ANALYSE DES DONNEES ; BASE DE DONNEES ; CINEMA ; CINEMA SECTEUR
Entreprise
NETFLIXRésumé : The aim of this research work is to highlight the contribution of Big Data to the production of cinematographic works that will arouse the interest of the greatest number of people. Focusing on the Netflix platform, which has repeatedly acknowledged the use of this system in its creative decision-making, this work will explore several concepts. Firstly, the literature review lay the foundation for existing concepts that can be used to advance research, such as Big Data, Netflix's production system and the link between films and society. As the linkage between culture and social climate has often been pointed out, this paper shows that Big Data is used by new giants of the cinematographic industry such as Netflix to better fulfil this role. In a second step, these concepts are further developed through a qualitative study aiming to understand to what extent the collection of data through Big Data can produce a tailor-made movie for society. In conclusion, Big Data allows a better accuracy in targeting a large public. The use of this massive data collection is a way to depict a particular theme the whole world is subject to and to identify how it should be put into perspective. Programme : MSc Digital Expertise for Marketing Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=568518 commercial and artistic sucess in the french film industry , the impacts of the director's gender / Maxence FREIHERR VON FURSTENBERG / 2022PermalinkHow are NFTs and Metarverse impacting luxury fashion industry / Quy ANH PHUNG / 2022PermalinkHow can French institutions encourage to adopt greener means of production? / Marion COMBLE / 2022PermalinkIs the recognition process for American series has evolved from the 90s to the present day? / Lisa CARTAIRADE / 2022PermalinkMuslim Character Representation in Bollywood (India) / Zurnab SARFRAZ / 2022PermalinkRepresentation and evolution of masculinity onscreen: the James Bond case / Léa BERAGUAS / 2022PermalinkWill cinemas survive the digitalisation of consumption? The role of customer experience in cinema differentiation. / Marie OROSCO / 2022PermalinkL'animé des animaux / Océane GUYOMARD / 2021PermalinkLe cinéma a-t-il un avenir ? / Sophie GROSCLAUDE / 2021PermalinkHow the cinema industry has shaped our perception of social reality from the golden era of Hollywood to the hegemony of Netflix / Haytham BENBRAHIM / 2021Permalink
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