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Titre : Are artistic project managres better managers than non-artistic ones ? Type de document : Mémoire Auteurs : Justina CHAKIEH, Auteur Année de publication : 2023 Importance : 52 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
ART ; MANAGER ; QUALITE DE VIE AU TRAVAILRésumé : Art has always been an essential part of human life, and it has been used in various ways to express oneself, communicate, and release stress. In recent years, the use of art in the corporate world and its relation to
project management has gained an increased attention. This thesis aims to explore the role of art in the corporate world and more specifically in project management.Programme : MSc International Project Development Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=581943 La crise climatique et le développement durable au sein de l’industrie du cinéma. / Cassandra ELMASSIAN / 2023
Titre : La crise climatique et le développement durable au sein de l’industrie du cinéma. Type de document : Mémoire Auteurs : Cassandra ELMASSIAN, Auteur Année de publication : 2023 Importance : 49 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page Langues : Français (fre) Mots-clés : Management
CINEMA ; DEVELOPPEMENT DURABLE ; CLIMATRésumé : Ce mémoire traite du développement durable et de l’empreinte carbone au sein de l’industrie du cinéma. Des premiers tournages aux plus récents, des premières technologies employées aux techniques actuelles, ce travail retrace les évolutions des méthodes de production à travers le temps. La crise climatique est causée par les activités humaines, et le cinéma fait partie des secteurs polluants toujours peu encadrés. Le secteur du divertissement est certes engagé grâce aux artistes qui peuvent se présenter comme porte étendards et porte-parole de causes à défendre, mais des tournées mondiales pour promouvoir des sorties au cinéma sont à pointer du doigt. De plus, la consommation moyenne des salles de cinéma est exorbitante, en raison des nombreuses projections qui ont lieu chaque jour à travers le monde entier. Le grand public est sensibilisé aux dangers du réchauffement climatique à travers des
films engagés et des documentaires, mais ne se rend pas compte des processus entraînant la création de ces productions.Programme : Cesem Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=581656 Drag shows : marketized cultural products or artistic lgbtqia+ performabces belonging to subcultures ? / Mathilde PIERRE / 2023
Titre : Drag shows : marketized cultural products or artistic lgbtqia+ performabces belonging to subcultures ? Type de document : Mémoire Auteurs : Mathilde PIERRE, Auteur Année de publication : 2023 Importance : 26 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
INDUSTRIE CULTURELLE SECTEUR ; SPECTACLE ; STANDARDISATIONRésumé : The origins of drag shows are unclear, but they've been around since ancient times: even in ancient times, theater was sacred, and for social and religious reasons, men played female roles - the ancestor of drag shows. Today's drag tradition dates back to the 19th century, with "female impersonators" performed in music halls and then exported to queer bars. The 20th century, thanks to the counterculture movements of the 1960s, enabled the drag movement to assert itself and become
more politicized: drag shows became rooted in queer activism. Then, RuPaul Drag Races marked a new turning point in the 2000s, spreading the movement worldwide and popularizing it. But if drag shows have become a mainstream and popular phenomenon, what remains of their activist DNA? What is a drag show today? This dissertation explores the effects of the popularization of the RuPaul phenomenon on all forms of drag shows today: the impact on the audience, the practices and characteristics of a drag show, and the militant and political discourse. From Madame Arthur's cabarets to the ballrooms of the Gaîté Lyrique, RuPaul Drag Race's drag shows impose an aesthetic that limits the essence of drag shows. However, there is still a drag culture, both artistic and militant, that manages to break free from the standardization of drag shows imposed by the popular drag races.Programme : MSc Cultural & Creative Industries Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=581682 How does k-pop community bonding on twitter contribute to entrepreneuriel activities and build the sense of identity ? / Maéva-Soukeyna DIAGNE / 2023
Titre : How does k-pop community bonding on twitter contribute to entrepreneuriel activities and build the sense of identity ? Type de document : Mémoire Auteurs : Maéva-Soukeyna DIAGNE, Auteur Année de publication : 2023 Importance : 33 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
MUSIQUE ; CULTURE ORGANISATIONNELLE
EntrepriseProgramme : MSc Digital Expertise for Marketing Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=581759 How is it that K-pop acts who have gotten as successful as other Western musical acts still are not treated as equals to them in the U.S. and how is it illustrated? / Justine JOUSSELIN / 2023
Titre : How is it that K-pop acts who have gotten as successful as other Western musical acts still are not treated as equals to them in the U.S. and how is it illustrated? Type de document : Mémoire Auteurs : Justine JOUSSELIN, Auteur Année de publication : 2023 Importance : 29 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Français (fre) Mots-clés : Management
MUSIQUE ; INDUSTRIE CULTURELLE SECTEUR ; RACISMERésumé : Over the past few years, K-pop has become a global phenomenon, with several groups achieving immense popularity worldwide. However, the portrayal of K-pop in Western media has been noticeably different from that of other artists. This trend highlights a broader perception that K-pop acts and the genre itself are considered outsiders in the Western music industry, especially in the U.S..
Unfortunately, the American media often portrays K-pop under a negative light, emphasizing the differences between K-pop and other music genres through a stereotypical lens. The media's tendency to exoticize K-pop and to perpetuate harmful stereotypes about Asian cultures contributes to the idea that K-pop is a novelty or a gimmick rather than a legitimate
form of music.
Despite K-pop's massive popularity worldwide, it is often presented as a distinct entity rather than an integral part of the music industry. The U.S. media's portrayal of K-pop as a genre that is different from "actual music" reinforces the idea that K-pop is somehow inferior or less authentic than other forms of music. This attitude ignores the diversity and complexity of K-pop as a genre and undermines the hard work and talent of the artists who create it.Programme : MSc Cultural & Creative Industries Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=581677 PermalinkHow to challenge gender inequalities in museums within the French framework of equality? / Elisa PENNANEAC'H / 2023
PermalinkL'impact des réseaux sociaux dont Tiktok sur la chaîne de valeur des artistes de l'industrie musicale. / Elyna BRETEL / 2023
PermalinkThe ecological impact of NFTs in the art market: analysis of environmental issues and solutions for a more sustainable use. / Clémentine MAY / 2023
PermalinkThe evolution of the main character pictured in the French auteur cinema between the 30s, 60s and 90s. / Célia BLANCHARD / 2023
PermalinkPermalinkThe influence of male sexual orientation in the current conception and practice of dance in France / Mathieu GOMEZ / 2023
PermalinkThe influence of sufi culture on the 18th century armenian music and literature / Vardui MINASIAN / 2023
PermalinkPermalinkPermalinkWhat impact has social media had on promoting diversity and inclusion within the country music industry in the United States of America ? / Nina DESCHANDOL / 2023
PermalinkCan movie production, supported by big data, reflect a globalized society? A qualitative analysis of Netflix production process / Charles SIMON / 2022
PermalinkPermalinkDoes the new alliance between rap music and fashion luxury brands have an influence on consumer buying behavior ? / Gamze SOYLU / 2022
PermalinkEntreprise Art, culture & management - Arts en entreprise et spécificités de l'économie culturelle / Jean-Michel HUET / PEARSON ED. (2022)
PermalinkHow and why the American female pop musician’s career is subjected to constraints and difficulties due to gender stereotypes from the 1980’s years to nowadays? / Victoire BLONDEAU / 2022
PermalinkHow are black people represented in American films from 1964 to present days, and what impact does this have on their own perception of themselves and how they are perceived by others? / Léa GROVA / 2022
PermalinkHow do music streaming platforms use Data Analytics to shape musical taste of consumers? / Inés KOLLI / 2022
PermalinkPermalinkHow streaming platform's feature are impacting the music listenning habits of the generation Z ? / Romain POUYES / 2022
PermalinkIn which ways artists can leverage Digital Marketing activities to sell & advertise their artworks in the NFT new paradigm? / Anthony GALASSO / 2022
PermalinkPermalinkPermalinkPermalinkPermalinkThe relative place of museums and big private foundations (Pinault, Vuitton, Cartier…) on contemporary art in Paris: / Clotilde COUTURIER / 2022
PermalinkWill cinemas survive the digitalisation of consumption? The role of customer experience in cinema differentiation. / Marie OROSCO / 2022
PermalinkArt and luxury. What are the limits of the artification strategies of luxury companies? / WEISGERBER CLOÉ / 2021
PermalinkPermalinkPermalinkPermalinkHow artists use social media to melt the ice wall between the public and visual art? / Hairi HAIRI / 2021
PermalinkHow to build a music social ecology, based on user participation and emotional marketing / Shumin HOU / 2021
PermalinkHow to improve public’s cultural participation of performing arts in China? -- Why art education and national art popularization matters in improving arts participation? / Meichen GUO / 2021
PermalinkPermalinkMener une carrière artistique musicale de variété en France du XXème siècle à aujourd’hui / Manon DEBS / 2021
PermalinkModernism and Rock & Roll, a societal, cultural and musical study of the impact of the British Invasion nowadays / Antoine LEBLANC / 2021
PermalinkPermalinkPermalinkPermalinkPermalinkSocial purpose musical and orchestral education plans: to what extent can the social impact of social purpose musical and orchestral education programs can be evaluated? / Laurine COLOMBIER / 2021
PermalinkThe digitalization of the contemporary art market: the impact on marketing strategy of international art galleries / Victoria NOIZET / 2021
PermalinkThe introduction of voguing and waacking into Parisian cultural venues : From recognition opportunities to cultural appropriation of two underground dances / Constance BIDAUT / 2021
PermalinkPermalinkL’utilisation massive de données marketing va-t-elle engendrer une énième mort du cinéma ? / Nils GUERARD / 2021
PermalinkPermalinkPermalinkPermalinkComment les enseignes utilisent la musique pour agir au sein de leur communication marketing / Mathilde PREAU / 2020
PermalinkL’évolution des supports musicaux et leur impact sur l’industrie du disque et sur notre mode de consommation de la musique. / Charlotte MASSARD / 2020
PermalinkFrom the emergency of the video game industry to the propagation of new musical composition / Chilpéric LAPIERRE / 2020
PermalinkPermalinkPermalinkPermalinkIs the Cirque du Soleil® business model a solution to find a balance between Profitability and Innovation in the performing art, and more especially in the Circus? / Jade SAGE / 2020
PermalinkLuxury goods and the emergence of a new contemporary art movement: a social and business study through the cases of Christie’s and Sotheby’s / Juliette THEVIGNOT / 2020
PermalinkPermalinkPermalinkPermalinkPermalinkThe excessive choice effect in digital music: Do the various Spotify tools prevent from an excessive choice effect? / AUDOIN, SOPHIE / 2020
PermalinkPermalinkPermalinkPermalinkTo what extent do French pop and folk music artists adjust their creation process and strategies to the market expectations in order to make a living out of their art / Pierre DESBOIS / 2020
PermalinkWorkplace problems that are leading to career change: The case of young architects in India / Aishwarya BADAMI / 2020
PermalinkPermalinkCabinets de curiosités / Landerneau : Fonds Hélène et Edouard Leclerc pour la culture (2019)
PermalinkL'héritage des figures emblématiques de la musique française sur la prose pop-rap actuelle / Garance ICHIR / 2019
PermalinkPermalinkPermalinkPourquoi la croissance du marché de l’art ne profite-t-elle pas aux petites et moyennes galeries, et quelles stratégies peuvent-elles mettre en place ? / Paola BOSSI / 2019
PermalinkPermalinkPermalinkPermalinkPermalinkPermalinkBusiness models and strategies of visual artists' studios : between legacy models and evolution / Valentin CREPAIN / 2018
PermalinkBusiness models, strategies and key factors in the superstar system in the music industry / Paul TURBE-BION / 2018
PermalinkPermalinkPermalinkPermalinkLes enjeux de l'utilisation de la musique en publicité pour une entreprise vis-a-vis des consommateurs ? / Killian PERROT / 2018
PermalinkHenry Moore / Landerneau : Fonds Hélène & Édouard Leclerc pour la culture (2018)
PermalinkPermalinkPermalinkPermalinkInfluence of language and country on consumer perceptions of French music artists / Maël SEBAN / 2018
PermalinkPermalinkPermalinkPermalinkPermalinkLes raisons du passage d’une pratique illégale à une pratique légale – Le cas du téléchargement illégal / Manon VIAU / 2018
PermalinkSponsored art foundations: impact of the attendance of the art foundation towards the set of behavioral and attitudinal constructs towards the sponsoring brand / Ekaterina NECHAEVA / 2018
PermalinkPermalinkThe relationship between books and readers from the individual to the collective, from psychology to sociology / Hugo MORATA / 2018
PermalinkPermalinkPermalinkPermalinkWhat are the evolution in the music industry due to the emergence of social media and digital transition? / Lisa BUISSON / 2018
PermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkComment améliorer les processus d’achats tout en réduisant les différences culturelles ? / Alexandre BILLET / 2017
PermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPicasso / Landerneau : Fonds Hélène & Édouard Leclerc pour la culture (2017)
PermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkThe Quick Fix Guide to Academic Writing : How to Avoid Big Mistakes and Small Errors Ed. 1 / Phillip C. SHON / SAGE PUBLICATIONS (2017)
PermalinkPermalinkPermalinkPermalinkLes Trois Mousquetaires. Au service du roi / Alexandre DUMAS / HACHETTE FRANCAIS LANGUE ETRANGERE (2017)
PermalinkLes Trois Mousquetaires. Au service du roi / Alexandre DUMAS / HACHETTE FRANCAIS LANGUE ETRANGERE (2017)
PermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkDans quelle mesure le livre de jeunesse et ses acteurs sont-ils parties prenantes de la construction sociale de l’enfant en termes de genre ? / Manon LE FER / 2016
PermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkQuelle est l’influence de l’Artketing sur la perception et l’évaluation des Maisons de Luxe? / Chloé VEYS / 2016
PermalinkPermalinkPermalinkRévolution numérique et marché de l'art : Quels nouveaux modèles pour la vente d'art en ligne ? / Charles DEBUCK / 2016
PermalinkTa deuxième vie commence quand tu comprends que tu n'en as qu'une / Raphaëlle GIORDANO / EYROLLES (2016)
PermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkBetween the world and me / SPIEGEL & GRAU TRADE PAPERBACK EDITION (2015)
PermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkL'impact économique du téléchargement illégal sur le marché de la musique / Alexandre BAUMANN / Paris : L'HARMATTAN (2015)
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