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Is the Cirque du Soleil® business model a solution to find a balance between Profitability and Innovation in the performing art, and more especially in the Circus? / Jade SAGE / 2020
Titre : Is the Cirque du Soleil® business model a solution to find a balance between Profitability and Innovation in the performing art, and more especially in the Circus? Type de document : Mémoire Auteurs : Jade SAGE, Auteur Année de publication : 2020 Importance : 29 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
SPECTACLE ; INNOVATION ; ART ; DISTRIBUTION ; PERFORMANCERésumé : The performing art is one of the most evolutive sector of the current economic context, but also one of the most unsteady regarding its growth period, mutations, and creativity process.
Theaters, operas, dancing, music shows, circus, etc… The Performing art is like a whole economy inside another, which means that its balance depends on of a lot of criteria, subcategories, but also internals and externals factors.
Indeed, the question of success is quite nuanced in this sector, and not measurable as it can be in other fields like finance, marketing, audit, etc… The human being and the concept of creation are at the heart of the process, these criteria are hard to estimate, and it is difficult to make it profitable. It is the reason why we are currently dealing with a crisis inside this whole industry, and here remains the main challenge of the sector. The durability.
Some field appears more evolutive than other, like the circus for instance, experiencing a millennium of mutations but which is still present today. It is interesting to study resilience belonging to this sector, showing how the creation sector must still fight more than other fields to prove its profitability and justify its present on the market.
Belonging to a creative industry does not means to be profitable but means to find the perfect balance between profitability and innovation, and this is what we will deal with, focusing on fields and compagnies that succeeded in this balance.
The question is now to see if solutions that appear in some models can be transportable or not, and from a sustainable point of view.Programme : PGE-Rouen Spécialisation : Cultural and Creative Industries Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=531709 Luxury goods and the emergence of a new contemporary art movement: a social and business study through the cases of Christie’s and Sotheby’s / Juliette THEVIGNOT / 2020
Titre : Luxury goods and the emergence of a new contemporary art movement: a social and business study through the cases of Christie’s and Sotheby’s Type de document : Mémoire Auteurs : Juliette THEVIGNOT, Auteur Année de publication : 2020 Importance : 38 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
ARTS PLASTIQUES ; PRODUIT DE LUXE ; ENCHERERésumé : Luxury goods recently flooded the art market, from artworks shaped as bags or cars, to real luxuries sold through auction houses and galleries. This paper investigates the impact of selling such goods on the art market, analysing the way it changes our perception of contemporary art today, taking the specific cases of Christie’s and Sotheby’s. Our hypothesis is that luxury goods can be perceived as artworks today. To analyse this case, we develop a quantitative survey focusing on the perception a luxury good can provide and the similitudes between artists and craftsmen. Contrary to our previous hypothesis, our analyse identifies that luxury goods sold at Christie’s and Sotheby’s do not change our perception of the current contemporary art movement, but rather are blurring the frontiers between art and luxury and are encouraging the birth of a new art movement. However, it also highlights the evolving role of the artist, who is becoming both a intellectual as well as a real craftsman. Programme : PGE-Rouen Spécialisation : Cultural and Creative Industries Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=531693 Music and social integration in Venezuela / Théo DE POTTER / 2020
Titre : Music and social integration in Venezuela : “El Sistema” Type de document : Mémoire Auteurs : Théo DE POTTER, Auteur Année de publication : 2020 Importance : 23 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
POLITIQUE SOCIALE ; MUSIQUE ; VENEZUELA ; JEUNE ; EGALITERésumé : El Sistema is not simply a state funded musical program for the Venezuelan youth. With millions of students and resounding success worldwide, the Sistema is a true catalyst for social change and cultural transformation in Venezuela. With Venezuelan figures performing in the best orchestras of the world, the musical program is a perfect showcase of the country. However, recently, the politic and economic situation is alarming: hyperinflation and deadly protests are the daily life of Venezuelans. The continuity of the Sistema is endangered with the political tensions and the political power is called into question. Nicolas Maduro that wants a rapid development of the program in the future at the same time oppresses members that dare protesting against him. Despite a spread across the world of the program and the success of its orchestras, we can wonder if the program will survive the political and economic crisis. On the other hand, the crisis raises fundamental interrogations, especially on the link between musical integration and politics. As many artists use their art to protest against the government such as the Venezuelan pianist Gabriela Montero, it appears that the members of the Sistema prefer silence to avoid dramatic repercussion on their life and career. The recent crisis questions the whole sistema since its creation and emerges the idea that it could have been since the beginning a manipulation of the youth for the purposes of the Chavist revolution. Programme : PGE-Rouen Spécialisation : Cultural and Creative Industries Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=531081 Peut-on dissocier l'oeuvre de l'auteur ? / Gisèle SAPIRO / Paris : SEUIL (2020)
Titre : Peut-on dissocier l'oeuvre de l'auteur ? Type de document : Livre Auteurs : Gisèle SAPIRO Editeur : Paris : SEUIL Année de publication : 2020 Importance : 232 p. ISBN/ISSN/EAN : 978-2-02-146191-6 Langues : Français (fre) Mots-clés : Management
ENVIRONNEMENT CULTUREL ET ARTISTIQUE ; OPINIONIndex. décimale : 164.84 OPINION Résumé : Depuis quelques années, la question resurgit avec force : peut-on séparer l'œuvre de son auteur ? Du Nobel attribué à Peter Handke aux César à Roman Polanski, sans parler du prix Renaudot à Gabriel Matzneff, le débat fait rage. De même, le passé nazi de grands penseurs du XXe siècle, à commencer par Heidegger, trouble notre appréciation de leur legs, tandis que l'inscription d'un Céline ou d'un Maurras au livre des commémorations nationales a suscité une âpre querelle.
Faut-il considérer que la morale des œuvres est inextricablement liée à celle de leurs auteurs ? Et bannir les œuvres lorsque leur auteur a fauté ? Loin de l'invective, ce court essai entend mettre en perspective, historique, philosophique et sociologique, cette question, en analysant les prises de position dans ces " affaires ". Mais loin du " tout se vaut ", il tranche, offrant à chacun les moyens de cheminer intellectuellement sur un terrain semé d'embûches.Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=535774 Exemplaires (2)
Code-barres Cote Support Localisation Section Disponibilité 052960 156 SAP Livre Library Campus de Reims Salle de lecture Disponible J6898 164.84 SAP Livre Library Campus de Rouen Salle de lecture Disponible Social innovation business model for small performance venues in France / Chloé CHAZOTTES / 2020
Titre : Social innovation business model for small performance venues in France : A new approach of social entrepreneurship to make the cultural and social values of live music thrive Type de document : Mémoire Auteurs : Chloé CHAZOTTES, Auteur Année de publication : 2020 Importance : 25 p. Note générale : Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via le bouton CONNEXION en haut de page. Langues : Anglais (eng) Mots-clés : Management
ENTREPRENEURIAT ; FRANCE ; INNOVATION ; ONG ; ENTREPRENEURIAT SOCIAL ; MUSIQUE ; CULTURERésumé : This seminar paper aims at exploring new opportunities offered by social entrepreneurship for small performance venues to be a ‘third place’ providing a performance stage for the emerging artist scene. How can a renewed social entrepreneurship approach create opportunities for small performance venues to sustain live music’s social and cultural values? Based on in-depth scientific research on performance venues in France, the French live music market, social entrepreneurship and the third sector, an observation of existing organizations in this sector, and the application of conceptual tools (social innovation business model), it aims to provide a framework, both theoretical and practical, of the subject. This qualitative study will thus lead to the proposition of a new business model for small performance venues in France and a corresponding hybrid organization’s legal status, paving the way towards a new entrepreneurship paradigm that has a very high potential to meet the needs of cultural and social values of live music; however its potential is limited as a result of multiple barriers encountered by the legal status and the need to change mentalities to make stakeholders accept this new paradigm. Programme : PGE-Rouen Spécialisation : Cultural and Creative Industries Permalink : https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=531076 The creation of a business plan for creation of a company / Simon MONTEL / 2020PermalinkThe excessive choice effect in digital music: Do the various Spotify tools prevent from an excessive choice effect? / AUDOIN, SOPHIE / 2020PermalinkTHE IMPACT OF COMMERCIALIZATION ON THE PERCEPTION OF STREET ART / Elise RIEFFEL / 2020PermalinkThe reluctance to pay to watch a content (film or tv show) / Nathan LE GALL / 2020PermalinkTHE STRATEGY OF COLLABORATION IN THE FASHION INDUSTRY / Marine POUDAT / 2020PermalinkTo what extent do French pop and folk music artists adjust their creation process and strategies to the market expectations in order to make a living out of their art / Pierre DESBOIS / 2020PermalinkWorkplace problems that are leading to career change: The case of young architects in India / Aishwarya BADAMI / 2020PermalinkL’audit de l’art ou l’art de l’audit / Mathilde ZDJELAR / 2019PermalinkCabinets de curiosités / Landerneau : Fonds Hélène et Edouard Leclerc pour la culture (2019)PermalinkL'héritage des figures emblématiques de la musique française sur la prose pop-rap actuelle / Garance ICHIR / 2019Permalink
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