| Titre : |
The introduction of voguing and waacking into Parisian cultural venues : From recognition opportunities to cultural appropriation of two underground dances |
| Type de document : |
Mémoire |
| Auteurs : |
Constance BIDAUT, Auteur |
| Année de publication : |
2021 |
| Importance : |
23 p. |
| Note générale : |
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| Langues : |
Anglais (eng) |
| Mots-clés : |
Management
CULTURE ; ART ; ENVIRONNEMENT CULTUREL ET ARTISTIQUE
|
| Résumé : |
Real commitment, growing trend or purely marketing argument, the Queer movement is increasingly covered by the media.
Art has always been a means of expression in order to assert one's identity and use creation to vent frustration through one's body. Passionate about dance and music, I will focus on two choreographic styles that are currently on the forefront of the scene stunning thanks to their technic, music, and history: waacking and voguing. These dances shared some commonalities of these dances: born in clubs, practised in LGBTQI+ circles and among the Afro-American community.
|
| Programme : |
MSc Cultural & Creative Industries |
| Permalink : |
https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=538561 |
The introduction of voguing and waacking into Parisian cultural venues : From recognition opportunities to cultural appropriation of two underground dances / 2021 
