| Titre : |
The relative place of museums and big private foundations (Pinault, Vuitton, Cartier…) on contemporary art in Paris: |
| Type de document : |
Mémoire |
| Auteurs : |
Clotilde COUTURIER, Auteur |
| Année de publication : |
2022 |
| Importance : |
39p. |
| Note générale : |
Pour accéder aux fichiers PDF, merci de vous identifier sur le catalogue avec votre compte Office 365 via
le bouton CONNEXION en haut de page.
|
| Langues : |
Anglais (eng) |
| Mots-clés : |
Management
ART ; MARKETING DIRECT
|
| Résumé : |
What is contemporary art? The definition of the word contemporary on its own is quite simple: it means “belonging to the present time,” according to the Oxford Learner’s Dictionaries. Once added to art, it tends to complicate things because of the difficulty to draw a consensus on when it officially started. Some say it includes every work of art made after 1945, whereas others claim that it saw the light of day with the emergence of pop art in the 60es (Artsper). Another major issue to define it is the multiple art movements it covers: conceptual art, street art… However, everyone seems to agree on the nature of works themselves: contemporary artists have a true wish to break with the norms of the past and to explore every possibility at their disposal, the main one being the mediums they can use to create. |
| Programme : |
MSc Cultural & Creative Industries |
| Permalink : |
https://cataloguelibrary.neoma-bs.fr/index.php?lvl=notice_display&id=571601 |
The relative place of museums and big private foundations (Pinault, Vuitton, Cartier…) on contemporary art in Paris: / 2022 
